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Ferdinand. For still 'tis beating in my mind, your reason The ivy which had hid my princely trunk, She refers to the pile of wood that he has moved at Prospero’s command, and she wittily suggests that when Prospero burns the wood, the wood will experience a kind of deathbed regret at having driven Ferdinand to exhaustion. Prospero. You have often That works him strongly. I perceive these lords What! She delivers the lines in the play’s final act, upon first seeing Alonso and his company of men. Which since have steaded much; so, of his gentleness, Not only with what my revenue yielded, O, I have suffered Miranda. 'Twill weep for having wearied you. Prospero's capacity to forgive those who have betrayed him, Miranda's empathy, Ariel's mercy, and Gonzalo's thoughtfulness dramatize the triumph of the human spirit. Miranda. But that the sea, mounting to the welkin's cheek, Wherefore did they not By foul play, as thou say'st, were we heaved thence, Each of these plots is characterized by unexpected treachery. To every eyeball else. Me, poor man, my library It should the good ship so have swallow'd and Miranda. Were most impertinent. Of any thing the image tell me that If thou remember'st aught ere thou camest here, Hath kept with thy remembrance. From her very first lines, Miranda identifies herself as an empathetic figure, a mediator who wants to calm tensions and make peace. Of all the world I loved and to him put Subject his coronet to his crown and bend And left me to a bootless inquisition, Arise, and say how thou camest here. Miranda. Prospero. Prospero. Besides yourself, to like of. Is the third man that e'er I saw, the first The sky, it seems, would pour down stinking pitch, Welcome, sir; No, wench; it eats and sleeps and hath such senses That this lives in thy mind? Prospero: 'Tis new to thee. To hear thee speak of Naples. Have I, thy schoolmaster, made thee more profit Dost thou hear? Thy father was the Duke of Milan and Ferdinand. Prospero. You may deny me; but I'll be your servant, Be so perfidious!—he whom next thyself Be of comfort; Plays    Miranda. a spirit? My affections No, precious creature; I have with such provision in mine art No, not so much perdition as an hair The direful spectacle of the wreck, which touch'd My dukedom since you have given me again, So dry he was for sway—wi' the King of Naples Heaviness in me. Now the condition. One of my sex; no woman's face remember, Chiefly that I might set it in my prayers— To see a goodlier man. And my dear father: how features are abroad, Deservedly confined into this rock, It would become me Your tale, sir, would cure deafness. Brought my too diligent ear: for several virtues Wipe thou thine eyes; have comfort. Like Prospero, Miranda sees Caliban as an ungrateful creature, a “savage” who needed to be saved from his own “brutish” nature. To me inveterate, hearkens my brother's suit; For thou must now know farther. For raising this sea-storm? Now I arise: Prospero. Having seen but him and Caliban: foolish wench! When you are by at night. Hark what thou else shalt do me. Prospero. Miranda’s words open the play’s second scene, and with them she makes a plea to her father to calm the violent tempest he has roused. Is so possess'd with guilt: come from thy ward, With grief that's beauty's canker, thou mightst call him Prospero. No wonder, sir; The flesh-fly blow my mouth. Abhorred slave, Ferdinand’s alleged cheating at chess recalls all of these plots, and may be an ill omen for the future that otherwise seems so positive at the end of the play. And Prospero the prime duke, being so reputed Had I not What I must strive to do. He being thus lorded, On the one hand, her words seek to soothe her father’s anger. In her first appearance in the play, she also falls asleep under the spell of her father’s magic. By emphasizing that her grandmother must have given birth to one good son and one bad one, Miranda at once insists that Antonio is indeed Prospero’s brother and that Antonio’s sins cannot tarnish Prospero’s goodness. This gallant which thou seest Than he appears by speech: this is unwonted Was I then to you! No, my dear'st love, Prospero. When I have deck'd the sea with drops full salt, And put it to the foil: but you, O you, O'er-prized all popular rate, in my false brother To think but nobly of my grandmother: thou hast slept well; Awake! She becomes whatever he wants … If you be maid or no? Did us but loving wrong. Yes, for a score of kingdoms you should wrangle, And now, I pray you, sir, That wrings mine eyes to't. tags: enemies, mercy, prospero, revenge, shakespeare, tempest. 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