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Make sure your natural singing voice is the clear focus, and the reverb is the backdrop. *Photo by bmh4you. If the effects only sound good in stereo, you know you have to keep working. They are open back, meaning you can hear the outside world, but has a better sound stage in an appropriately quiet room. ... if you always leave your vocals in the center of the mix, try putting them on the outside. Most of the time you’ll need to cut it out, especially on a male vocalist or if the vocals are recorded in a small room. I'm a little late to the party, but I've used ProTools' 7-band EQ plugin for replicating sounds coming from inside of a building, and it sounds great. Mud & Boxiness: The muddy area can be found around the 350Hz to 500Hz frequency range. They absorb the sound of the room around you, making your vocals dry and clear. Here is a screenshot of the EQ settings: If you were still looking for it, I hope this helped. Not because that's the dominant frequency of the voice, but because that's the range we hear most clearly at - it's our ears not our mouths that make it so. However, using this technique may make your vocals sit outside the mix, even with very little send amounts. It’s difficult to get that “pro” sound without one. Make note of what stands out, what emotion comes from the vocals, and where the vocals might suddenly sit back or sound different in the mix. They are more natural sounding. Depending on the settings on the saturation unit, it will bring out a lot more harmonics in the vocals and make it sound larger than life. However, most vocal booths can cost a fortune. An easy way to add presence and grit is to send the vocals to a saturation / exciter unit. Key Vocal Qualities Most professional vocals are recorded inside a vocal booth. ... and make sure your vocals sound great in stereo and mono. Avoid boosting this area because it will make your vocals sound boomy and it will not sit well in a mix. There are some other things I would do to adjust for specific needs, but this is a good start. There are a lot of DAW choices out there, I personally use a combination of Reaper (for vocals/live recording) and Ableton for most of my straight production work. 2. That’s what vocal booths do. While the human voice generally sits across the range of 100Hz to 3kHz, the defining elements of it are around 1k-2k Hz. So I’ll begin the process by pulling out pen and paper and noting down the weaknesses and strengths of a song.” In this case, do that with the vocals. Adding a band at 300Hz isn't going to do you much good. Has a better sound stage in an appropriately quiet room technique may make vocals... Eq settings: if you were still looking for it, I hope this helped other I. 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